Jessica Jernigan

In 1440, or thereabouts, the sculptor Donatello carved a rather extraordinary figure of Mary Magdalene. While the hands and feet show a careful attention to realism, the Magdelene’s face is rough-hewn, standing

Some reflections on body autonomy

Good news, bad news, and a trading card

More on St. Patrick’s occasional other half, plus a cocktail recipe

A study in modern mythmaking